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Write Me

How I found an extr...
By Danny Gregory

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Every Tuesday, from November 11–December 16, 8–10pm, I shall be teaching a workshop at the Open Center in New York City. It's entitled, "Everyday Matters - Illustrated Journaling as a Path to Creativity." We'll form a group of journalers and explore all aspects of the art form over six wonderful weeks. I do hope you can join us!
I'll also be giving a Free Introductory Class on Tuesday, November 4 at 8pm.
It's the first time I've done such a thing and I am pretty excited about it. I'm also really pleased to have been invited to be part of the faculty of The Open Center where I have taken quite a few mind-expanding classes over the years.
You can find out more at the Open Center website. Or write to me with questions. See you there.
(And I promise not to discuss the election!)


I love this little chat with This American Life's Ira Glass on the importance of persevering in being creative. I think he articulates a wall we all hit a lot, particularly when we start out, when our ambitions are so much greater than our current skill set. He explains that there's a certain entropy that moves all of our efforts towards crap, and that only by being ruthless in self-editing and insisting on trying some more can we be good. It's not about talent so much as it's about being willing to be beaten and to work hard. Failure creates quality. It sounds painful but it's infinitely rewarding. Check him out.
(Thanks,Laura for reminding us about this video)

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Above: Recent images from our Flickr Site

On November 20, 2008 Kathy Taylor said, “Re art teachers...a slightly different perspective.... I "assumed" I could not draw and thus could not make art (a false correlation) because I was told by my teacher in kindergarten that I'd best not "try to draw, you're not very good." It has taken until age 55 (I'm 64 now) to question that certainty. What it took so long to realize was it was NOT an art educator offering that opinion - it was a kindergarten teacher with no training in teaching art at all. Her opinion (we're talking 1949 here) didn't matter because she probably didn't even like art and was "teaching" it merely to fulfill some requirement. We're all so vulnerable when it comes to art (a situation aided and abetted by art critics and gallery owners who both need to earn a living by saying some art is worth $ and some isn't, i.e. some is good and some is bad). The expressions of our unconscious can be fragile when expressed in our "rational" left brain world. In the art classes I've taken I often felt my "seedlings" were mowed down by a lawnmower before than much chance to grow and that's where the art teachers Danny mentions have some blame.” in Teaching.

On November 20, 2008 Trevor Romain said, “Hey brother Danny - I was told by my art teacher that I was not talented enough to take art at high school. I was also rejected from art college based on a reference from that same teacher. I did not draw for 20 years because I thought I was not good enough. Finally in my 30's I exploded with frustration at an artist who was illustrating the first book I wrote. After an argument with him I decided to try and illustrate the book myself. Although I did not do a brilliant job is was the start of my full-time illustrating and writing career. My journals and sketchbooks became my training ground. I have now written and illustrated 30 children's books with over a million and a half copies in print in 16 languages. The cherry on the top is that I am included in your new book. Although you don't know it your books and blog have taught and inspired me more than anyone else about art and how to draw. I totally get what you were saying in your post. Trevor romainportfolio.blogspot.com ” in Teaching.

On November 20, 2008 Roz said, “Danny, I'm totally blown away by the post-it note exercise results. I believed in my heart when you told me about it that it would be really cool when your class did it, but it is beyond cool. I love it. It is that wonderful type of experiment which proves so many things. Most clearly for me it shows the signature line and touch that people bring to their mark making, regardless of their drawing experience. What fun to see the joy and recognition when you put all the post-its together. I would have loved to have been a fly on that wall. I know you will keep enjoying the class; you will continue to learn about your own process too. You're inspiring them while they are inspiring you. Roz” in Teaching.

Just Try It

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Content of kitchen cabinet, fridge, bedside table, medicine cabinet
All my shoes, clothes
Covers of ten favorite CDs, books
Every significant front door of every place I've lived or worked
Everything I eat today
Contents of my bag, of my pockets
Every tree on my block, labeled with its official Latin name
All the cars on my block
Views out each window in my home
Clutter on my desk
A map of my neighborhood
A map of the house I grew up in
Portraits of my wife, son, and pets asleep

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Ways of adding a deep breath to your day from drawing to putting away your iPod.

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Drawings & doggerel
By Danny O. Gregory

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A nice way to support Barack Obama. Drawings are submitted, auctioned, and the proceeds contributed. A few of us in NY discussed a similar idea but were too disorganized to pull it off. Fortunately these guys did. Some of the participants are also contributors to my new book, An Illustrated Life: Drawing Inspiration From The Private Sketchbooks Of Artists, Illustrators And Designers

This Human Season
By VERLYN KLINKENBORG

On a still day — rain threatening — a tall stem moves in the garden. A goldfinch has landed just below the flower head and is eating the seeds while the stem sways like a pendulum. The rain begins, and above its steady rhythm there is a clatter and a pop on the woodshed roof as a hickory-nut falls. Soon, the clouds tear apart and the sun spills through. Maple leaves are coming down in ones and twos, and the ones and twos are beginning to add up in drifts along the pasture edges.

Most of the time, nature is simply there — when I do chores,

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(click to open a bigger screen size on YouTube)
This is quite cool. For the first time since the invention of movable type, some folks are making a fully hand-written illuminated bible. It's being created by a team of scribes artists and craftspeople in a scriptorium in Wales under the artistic direction of Donald Jackson, one of the world's foremost calligraphers and the Scribe to Queen Elizabeth. The book is being written on vellum, using quills, natural handmade inks, hand-ground pigments and gold leaf. If you'd like to score your very own facsimile , you might want to pass the collection plate. Each copy costs $145,000.

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Past Matters

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The sky is white today. I walk under it some twenty blocks one way, then back, looking up most of the way. Fifth Avenue is lined with 19th century buildings that are generic at street level, each defined by the stores that rent their feet, but most are capped with some sort of interesting cornice.

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(Drawings done while watching a little over an hour of network TV)

These are dark times for the nexus of art and commerce. Every industry that tries to make a buck from others’ creativity is moribund or in flames.
The music business is more intent on suing children for downloading MP3s than trying to incorporate innovations in technology. The publishing business focuses

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A record of my exploration into all aspects of drawing, illustrated journaling, creativity, and the inspiring aspects of art. By the author of "Everyday Matters," "The Creative License", and "An Illustrated Life" and other books.


Peanut
Everyday Matters

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For the first time, I am teaching a regular class on sketchbook journaling and, it is some thing I really look forward to each week. I have an awful lot of students (25 or so) and our classroom is a less than inspiring place, but each Tuesday night we talk about drawing and journaling and the wide world of art, then we draw and write together for a couple of hours. Many of the folks in class are new to drawing but all are plunging in with courage and enthusiasm. Some have become instant sketchbook addicts, while others are still hanging around the shallow end, getting their bearings. This week, one of our exercises was to break an object into abstract parts and explore each one deeply. I then combined all of the individual drawings and revealed what we had been looking at collectively: a picture of our new President-elect. There was wild applause and excitement when the group mind came together. Teaching a class is forcing me to really think about what drawing is and how to communicate what I have taught myself over the years. It is is very challenging but the support and pleasure of my students inspires me mightily.
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Ironically, this morning I was called out by a professional art teacher, here on my blog, who questioned whether I was disrespectful of art education. I hastened to explain:


Hi Danny. The book looks great, but I have to admit, upon viewing the little videomercial, despite the beautiful imagery, I was a bit turned off by what I perceived as a slight jab to my profession . As an art educator, I work my butt off day in day out turning kids onto art. The smiles on their faces when they enter the art room say it all. Their work says even more. I know too many good folks who are on the same boat as me who would feel the same. Am I overreacting here, or being slightly too sensitive? Maybe so. Still, in these trying times, when school budgets are getting cut left and right, and art educators (or,as we called them back in the day, art teachers) are either finding themselves out of a job, or not being able to find a job, the last thing we need is someone dissing art education. I'll certainly buy the book - how could I resist something this good? Still, please talk me down and tell me why I'm getting my panties in a bundle over a tiny, little sentence (or don't waste your time on me at all).
Steve


Dear Steve:
I hear you. Let me unravel my thoughts. First of all, I believe art education is vital to both children and adults. My son goes to a high school that specializes in art education and he takes two hours a day (!) of drawing classes. We have put him in several summer and after-school classes to develop his love of art too. So, I am all for art education ... when it is done well.
I was deeply scarred by my art teacher's abusive and derisive comments when I was a boy. I receive so many emails and letters form people who had similarly traumatic experiences when they were young too, dismissive or overly rigid teachers who made them feel they could never draw, would never amount to anything. These teachers are the exceptions in a profession that takes a lot of self-sacrifice and commitment, besieged from all sides by budgets and support for the football team.
So, while I do not diss art education in general, there are without question times when it is poorly taught. A bad teacher might be careless with comments, or overly programatic and rigid, or create a negative environment. There are people who are second rate in all professions but the ones who are incompetent or indifferent at art education can have long and deep impact on the very people who come to my site and books looking for a way to repair their creative instincts.
I realize that this may not be the answer you sought. But please know that a) my book contains work from fantastic several art educators (Rama Hughes, Roz Stendahl, Kate Johnson, Brody Neunschwander, Kurt Hollomon, Gay Kraeger, Christina Lopp, and more) and b) that I consider much of my mission to teach people to teach themselves art so I am also a sort of an art educator ( In fact, I am currently teaching a class here in New York).
And finally, Steve, I am often careless myself in the way I express myself here and elsewhere. I appreciate the rebuke, gentle though it was, and the opportunity to clarify.
I hope you enjoy An Illustrated Life: and that it brings ideas and inspiration to you and your students.

Your pal,
Danny Gregory

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I hope this seems like a fair and valid answer. I really don't want to add art educators to the long list of people I piss off.
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jack-shoes.jpg Speaking of insanely great art teachers and students, here's a drawing Jack did in class last week.
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Several of the students in the class have been blogging about their experiences on Tuesday evenings. Check out Seth's first hand reports.
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