Hue and cry
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My sketchbooks have been becoming simpler and more austere over the years. I started just drawing in ink, then added color, then watercolors and then slowly turned back until all I have been using is a dip pen and black india ink.
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Occasionally I’d get wild and add a little watered down sum-i ink. But mainly I relied on cross hatching and the varying line widths of my flexible steel nib.
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On the rarest of occasions, I would add a color, a single solid wash over my line, an earth tone or maybe two for the sake of variety. My work was increasingly about limitations and technique, playing with the simplest of notes and digging deep into lots of combinations.
But in the past few months since Patti’s accident, I have gone hog-wild in an explosion of the brightest colors I could find. I cover each page with magentas and fuschias and sap green and cadmium yellow.
I even treated myself to the complete collection of Dr. PH Martin’s liquid watercolors, 56 explosive tones that even my camera cannot do justice to. These are fragile colors, they can’t be exposed to sunlight, but perfect to lurk within the pages of a sketchbook and then leap out at the reader when the page is turned.
It’s funny, this penchant I now have for the rainbow. Mourning is supposed to be conducted in shades of black and gray. But one of my love’s many nicknames was ‘Patti Pink‘ and she adored bright colors. Her memory has infected me and I want to commemorate it in the brightest colors I can find. My book is a feast of sizzling hues and she would have liked it that way.
ArtSupply Porn
[Seth Apter of The Altered Page is conducting a Buried Treasure hunt and encouraged bloggers to resurrect one of their favorite long ago posts. I like this one. I may put up a couple more golden oldies to follow. Then back to the normal sturm and drang of the present.]
I didn’t even know I had a great aunt Greta (twice removed). But I was happy to take the call from her lawyer, the executor of her estate. Now I am the lucky owner of a 5,000 square foot studio loft not far from our home.
It is a quiet space but when I open the floor to ceiling French doors, the birds’ twittering can be heard from Central Park below. The ceilings are high, about 18 feet and, but for a few graceful, sculpted columns, the space is open and expansive with freshly painted white walls and well varnished, wide plank floors. The most notable feature is the enormous skylight overhead that floods the room with sunshine on even the gloomiest days.
Greta, who apparently enjoyed my drawings when I was six, also left me an open ended, unrestricted trust fund for art supplies and furniture, so I have been busily organizing and shopping for the past few days.
First, I had my friend Dean help me plan out the space. We covered the eastern wall with cork for pinning up drawings and things torn out of books and magazines. Next to it, we erected twelve foot high bookshelves with one of those sliding ladders. In the corner by the door, I have a seating area with a Mies leather couch (for afternoon naps) and three Eames chairs and walnut stools. There’s a large kitchen and we just had to have some of the counters redone (I love to draw at the kitchen table) and a new fridge with an ice maker installed.
There’s another wall for storage with oak flat files and cabinets for storing supplies. I have two different drawing tables, one of which is a BF23 from Italy and can be angled, and raised with a foot pedal. I have a wooden print rack and several taborets that roll around on the floor and hold pens and stuff. They’re delivering the G5 Mac tomorrow afternoon and the server, which will hold my MP3 collection. Then the guys from Harvey Electronics just need to hook the system up to the Niles Audio AT8700 speakers they installed in all the walls and we’ll have Miles playing in ever corner.
So, off to the store.
Let’s start with watercolors. I want all the colors that Daniel Smith makes, every series, big fat 15 ml. tubes. Then I’m also going to try out a few other brands, so I’ll get all three of the Maimeri sets that Catherine Anderson advertises. I’ve had fun with the Dr Ph Martin’s transparent liquid watercolors I own but I want to move up a notch to their Hydrus colors so I’ll pick up all24 colors they make. I see Schmicke makes powdered metallic watercolors – they could be fun to use in my journal so I’ll take those: rich gold, pale gold, copper, silver and aluminum. Here’s something called Ox gall Liquid; no idea what its for but I like the sound of it. In the basket.
Next, I want the best brushes money can buy. Really great watercolor brushes always spring back to a natural, razor sharp point and I think male Kolinsky red sable is considered the best (they’re made from the tips of animal tails which is mildly disturbing but maybe they just trim off the tip and it grows back like a lizard’s. In any case, I’ll ask the lawyer if the trust fund can make a contribution to PETA or something). Here’s a #14 brush for $311.95. I’ll take three. It’s by Isabey and they’re nickel plated. But the #14 is pretty chunky; for safety’s sake, I should get the whole line, 00 though 12. And, for fooling around with, maybe those Squirrel quills. And a 2″ squirrel wash or two. Oh and some fun brushes: a few of those filberts and fans, a set of lettering brushes and those weird angled tear drop brushes.
I’ll need some good new palettes, the big English glazed porcelain ones. Grab half a dozen. That watercolor bucket looks interesting – it has water basins and palettes inside it and there are holes in the hadles to keep brushes upright. Oh, and this Rinse-Well thing is cool. You fill the big bottle with water, it fills a basin with clean water and when it’s dirty, you press a button and it flushes it into a hidden reservoir. Cute and just $30. I need three. Might as well get this Sta-Wet palette with the lid that seals the paint like Tupperware. It seems a bit fiddly and I can always just get fresh paint but, oh, what the hell… in the basket.
Watercolor canvas? Apparently it has a special coating that takes the watercolor, you can lift off mistakes or even wash the whole image off the surface and start again. It doesn’t rip or shred and comes in huge rolls so you could do paintings that are 4 and half feet by 18 feet! Wow.
I also need loads of Fabriano Artistico watercolor paper. I want to try the hot press too and both 140 and 300 lbs. I love the Canon Montval Field books for journaling but also want to try out these Michael Rogers books with 140 lb. cold press acid free paper. Take a half dozen of each. This Nujabi journal looks good too: 25 130 lb. deckled pages in a Royal blue cover. In the basket. Lots of empty pans and half pans and an enameled steel box to hold them. Some nickeled brass palette cups. Check. One of these steel tube wringers that squeeze out paint. Check. A few dozen empty jars and squeeze bottles. Check.
I’ve never used a Mahl stick to rest my hand on while painting. It’s very Rembrandt looking. In the basket. And a thing called an Artist Leaning bridge, a transparent shelf that sits right on top of your page so your grubby paws don’t get on the work.
Here’s a very cute and must have item, the art traveler, a combination back pack and stool, with aluminum legs and lots of pockets and padded straps.
I like these huge art bins with the casters on them, full of individual boxes that neatly stack. Even a pocket for my wireless phone. Do they have to be such an ugly shade of purple?
I’m getting a huge paper cutter for bookbinding. I am used to the arm cutters (which could live up to their name an sever a limb) but am intrigued by the Rotatrim that rolls the blade along a bar. They have a massive 54″ one here that’s a bargain at just a little over a grand.
I need pencils: These Faber-Castell Polychromos come in a box of 120 colors and , for some reason, a CD-ROM. I like the idea of pencils so sophisticated you need to use a computer to work them. I’ll take the matching Albrecht Durer Watercolor Pencils too. In a wooden box, just $300 a piece. I’ll also need an electric eraser, just in case I ever make a mistake. These triangular TrioColor pencils looks interesting. Oooh, and these color pencil easels that organize everything in rows behind elastic straps and Velcro closures. Very nice.
I want to try some new media too: Encaustic crayons that you apply with a special electric iron. British scraper board for beautiful cross hatched drawings tat look like engravings. I’ll take some in black and some in white. And foil too. Oh and a set of cutters and scrapers you need to work on them.
No pastels. I never like drawing with them and I never like the look of pastel drawings. Except for Degas. And Lautrec.
Some gold leafing. I’ve used cheap stuff and it’s very dramatic but I’m going for the real stuff this time, 22k Double Gold and Pure Palladium too. The perfect way to class up a humble line drawing.
I’m going to have to order some clay for sculpting but I might as well pick up the armature set, the metal mesh and the riffler tools for shaping. This rotating sculpture stand is cool. It goes up and down and has a little adjustable shelf for tools. And this clay gun extrudes different shapes of clay, like a grown up play do maker, only in steel. Ultimately I want to get a welding setup and a kiln but this’ll do for now.
I love pure pigments, no idea what to do with them, but I want a few jars of them sitting around: Sennelier sells a nice starter set for just $1250 in a handsome wooden box.
I want some gouache to try out for the first time. This Lukas brand looks sort of interesting but I think Roz urged me to get Schminke. Better ingredients, less chalky and dull.
Now that I have all this space, I’m going to do some oil painting. I have painted on canvas before but always hastily, using a dining room chair as an easel and acrylics because they dry fast. I’m intrigued by Williamsburg paints. They’re made here in New York by an artist who based his recipes on research into the paint houses that supplied Monet and Cezanne. I’ll need 150 ml. tubes and the colors go from $25-145 so I should probably get the whole range, looks like about 150 colors. I can’t stand the smell of turpentine and how it gets into everything so I better get some Turpenoid and a citrus based thinner.
Brushes: If in doubt, buy the most expensive. In this case, more Kolinsky Sable. I’m getting a set of flats, of rounds, of filberts and of liners: grand total, a mere $1802.15. Hang on, these color shapers look like fun. They’re silicone brushes which I can use for applying and scraping paint, sort of like more elegant paint knives. But I should get paint knives too. Here’s a set of 60 different ones for $450. Done. Oh and a smock. Here’s a nice black one, cotton, lots of pockets. And though I won’t be getting a beret to go with it, I like this life sized human skeleton made of wood. Beautiful, and look, life sized posable manikins. They have men, women, boys and girls. A lovely family for just about two grand. And a posable giraffe too. Other miscellanea: a reducing glass les for looking at my canvas without having to step back and … duh, an easel, I’ll get two: one for plein air, a french easel that folds up into a little box to strap on my back like Van Gogh did. And then a big one made of oiled oak wood with cranks and shelves and casters. Here’s a nice one, called appropriately, the Manhatttan and it’s just $1707. Greta would approve.
Finally, canvas, double primed cotton duck to start with, and then a roll or two of Belgian linen and loads of stretcher strips and canvas pliers and a really good staple gun. And a few maple panels for painting on too, the really thin kind, satin smooth. Oh, and a Bob Ross video, maybe “More Joy of Painting”.
(This grotesque fantasy of excess was inspired by the arrival of Jerry’s Artarama catalog in our mailbox. In the real world, I ended up buying a bamboo sketch pen, for $1.79).
[Originally published on: Apr 21, 2004 @ 5:59]
Slow=Know
[Seth Apter of The Altered Page is conducting a Buried Treasure hunt and encouraged bloggers to resurrect one of their favorite long ago posts. I like this one. I may put up a couple more golden oldies to follow. Then back to the normal sturm and drang of the present.]
Dear H______:
Think less. Draw more.
When you draw a thing, see it just as that. Not a head, not perspective, not crosshatching, just pure observation as if you’ve never seen it before. The more preconceptions you bring to the drawing, the shittier it will be.
Clear your mind, and start drawing what you see. Start anywhere. I tend to start in the upper left hand corner because I am right handed. I move across observing, recording, until I get to the lower left hand corner. Then I am done.
If my subject is sufficiently complex, this will take me a half hour or more. I go as slowly as I can stand to go. But I don’t know how long it is usually; my left-brain has no sense of time.
As I draw, I avoid evaluation. I avoid thinking of the purpose of the drawing. I avoid commenting on what I am drawing, even in the quality of the line. I am empty and the drawing fills me up. Drawing is meditation, not production. Drawing is entirely in the present with no attempt to create context.
Do not think about style. Add shadows as you see them. But better to avoid shadows all together and stay engaged with the contours of things. When you have done that for months, even years, then add shadows and crosshatching (My pal, d.price has been drawing for a dozen years. Only on his trip to New York last week did he decide to start concentrating on the effects of light. He still almost never uses color). For now, none of that is important. What matters is to see deeply and let your hand respond.
And if you start at huge length before you draw, you risk becoming bored, or forming mental notes, theories, ideas about what you are seeing. The reason to let your hand and pen take over is to shut the hell up, silence the internal voice, the endless chattering of the mind, the distractions, the pointless pontificating that insists on meaning for the meaningless. The moment does not need meaning or context. It just is.
Drawing is about reaching for pure being. Not making pretty pictures to put in frames and on websites. The world doesn’t need more pictures. It needs peace and connection. It needs people who can accept reality and don’t feel compelled to control their environments. If you can look at a boot, at a rotting apple, at car’s worn tire, at an old man’s foot, and see it for what it is, without value or judgement, can see the beauty and particularity of the thing, you will find peace. You will avoid being covetous. You will be happy with what you have. You will accept others more readily, will see the sunshine on a cloudy day.
Life is a wonderful business, though fools blow up London tube stations and sell each other crap and waste time with gossip about movie stars. If you can draw, you will always have a place to go that is beautiful and honest and true. As you sit in an airport you will find pleasure in the folds of a crumpled lunch bag. As you bide your time in a doctor’s waiting room, you will find peace in the arrangement of the shadows on the wall. Even without putting ink on paper, you will be able to slip in to Drawing Mind.
The point is not what your lines look like or how accurate your crosshatching might be.
The point is not the drawings on the page or the pages in the book.
The point is not the opinions of others who love/hate/ignore those lines you made on the page.
The point is not the money you make selling your work to galleries or publishers.
The point of practicing your craft is not to rise in the rankings of those who draw. It’s not to have your style dominate (sorry, Dan!).
The point is to more easily gain access to the moment, to the deeper more peaceful recesses of your Self.
The point is to live as well and as fully as you can today, right now, whether your pen is in your hand or not.
The point is to See and to Be.
Your pal,
Danny
[Originally published on: Jul 7, 2005 @ 8:58]
A martini memory
[Seth Apter of The Altered Page is conducting a Buried Treasure hunt and encouraged bloggers to resurrect one of their favorite long ago posts. I like this one. I may put up a couple more golden oldies to follow. Then back to the normal sturm and drang of the present.]
This is a photocopy of a watercolor I just made for our friend, Cynthia. It commemorates the night I introduced her to Patti, four years ago. We went to the Pierre, had too many martinis and, upon leaving, Patti shot out of the bar and spilled (out of her chair) and onto Fifth Avenue! Cynthia was so cool about this debacle that we knew she would be our friend.
I am fairly happy with the uptown, 1950s feeling of the drawing and I hope it’ll look good in her pad.
[Originally published on: Feb 1, 2004 @ 8:56]
Out of Time
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In the emergency room, after Miranda and I had looked at Patti’s body, a policeman handed me P’s watch in a Ziploc bag. Without thinking, I put it on. It fit perfectly. The next day I took off my watch and never wore it again. But Patti’s watch has stayed on my wrist ever since.
The watch stopped at the moment of her death, 11:20. But over the next week or so, it slowly crawled forward. Each day I would notice it was a minute or two ahead. Finally, it stopped completely, at 11:40.
Sometimes people who don’t really know me comment on it, sometimes snearingly, ‘Nice watch’.This delicate silver watch on my meaty, hairy wrist. I explain it’s my wife’s. I don’t say much more than that. I don’t really care what they think.
As far back as I can remember, I have always worn a watch, usually a waterproof one that I never need to take off, through showers and sleep. Now I ask people what time it is. Or I look around for a clock. Or I just shrug. I’m okay with being late, selfish as that can be.
I am still aware of the passage of time, but seem to be measuring it by a different rhythm. It’s less of a tick-tick-tick, time is passing relentless tattoo and more of an organic drift through the day. I look back each evening and think about what I”ve done, assess its value, wonder if this is really how I should spend what time I have left. I havent made any big decisions about that yet, but I do feel more that time is precious, that it must be savored, and that only I should decide how to mete it out. Not even a wristwatch has that right.
Immortality
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It is so nice that more of my friends have discovered drawing in the past three months, many of them people I would never have imagined would have the time and interest to pick up a pen. It may be coincidental or it may be a newly discovered awareness that life is short and one ought to try all the things one dreamt of while one has the chance.
I also like to think that Patti’s example inspired my friends to explore their creativity. She was an endlessly creative person, always making something out of something else. She made creativity seem fun and a natural part of life, not scary or intimidating or prey to judgment. I think our friends are reminded of that when they think of her as intensely as we have this past season. They remembered how she was always a flurry of creative energy and were somehow moved to keep that spirit alive.
She would be happy that this is her legacy — inspiring people to come into their own creatively and to take risks in order to discover what they can do. It’s a wonderful gift to pass on and it is infectious, spreading to more and more people as they see what their friends can do.
We work hard to give our lives some meaning, to do well by others, to have values and standards that can endure. We teach our children things that can survive beyond our lifetimes, we set examples that make a mark. That’s true immortality.
I come from a fairly small family, generations with just a child or three in each family, many of them grown estranged. As we’ve lost touch, we’ve lost meaning too and the lessons and examples of our lives have dissipated in the fog. I know my great-grandmother became senile, stripped off her nightgown and danced on the dining table. I don’t know much more about her than that. But her daughter, my grandmother Ninny, inculcated my sister and me with a certain set of higher standards — that one sets the table with cloth napkins, that one makes one’s bed each morning, that one should strive to have a nice garden and to listen to Mozart and Bach. It’s funny that she lived for some eight decades and that her legacy is this small list of small things. I think that would surprise and maybe disappoint her. My grandfather taught me some things by his example but more things to avoid. He was fastidious and controlling and grew older without growing wiser. I think in the end one can learn as much from bad examples than good; the things to avoid have lots of resonance.
I have no idea what impression I shall make on the the world. Or how long it will last. It doesn’t really matter, I suppose, as I’ll be dust and gone. Encouraging others to make things seems like a nice testament to one’s life and I am proud to have been married to a woman who inspired it. Her love of beauty and self-expression will continue to ring out like ripples in the ocean for quite some time. And perhaps by reading these words about her, you too will be moved to make a drawing or a cake or a dress and share it with others who will be inspired to do something nice and creative of their own. Please think of Patti when you do.
Greyfriars Bobby
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Our hounds were Patti’s babies. They traveled all over town with her, Tim riding in the baskey of her scooter, Joe on the platform by her feet. She would hug them close, dress them in raincoats and a little duck suit, bring them to bed, and spoil them with treats. They licked her, hugged her back and guarded her, barking whenever a stranger got too close.
People asked me if they noticed her absence.
I didnt know how to tell. It’s not like they were hanging around the door waiting for her to come home, or howling with grief. They seemed more or less the same. Except for the total breakdown in housebreaking. Horrible, squirty diarrhea. Puddles of pee all over. They were eating the same food as ever, getting lots of walks, but it was a nightmare.
I spent a few hundred dollars at the vet and put them on antibiotics. It went away, sort of but not entirely. A dog walker suggested I try organic food. At the hippy pet store, they prescribed pumpkin and squash, cans of duck and venison. I tried it all and after four weeks or so, things calmed down. When I ran out of cans of expensive handmade food, I switched them back to dry food and they have been fine ever since. Except for when we went away overnight to my mum’s house and they stayed with strangers. Again, diahrrea.
Duh, they were stressed out and this is how it manifested. No support groups or condolence cards. They just want normalcy.
Grief is a messy business. This kind can be taken care of with a mop, hot water and Mr. Clean.
Grave concerns
In the corner of my mum’s property, hidden behind the bracken, there’s a tiny pet cemetery from the 1930s. It only has two headstones, commemorating some dogs whose owners are by now in the ground as well. Patti and I discovered it soon after Mum moved into her house in the forest that surrounds it. We though it was the coolest thing ever.
We always romanticized death and its trappings; our morbid fascinations drew us together from the day we met. We delighted in the fact that Patti’s dad had driven a hearse and regularly played cards with morticians. We had Day of the Dead parties with a coffin full of corn chips our house decorated with Mexican papier mache skeletons.
We would pull the car over at any graveyard we passed, then study the graves for funny names or tombstones carved with portraits of the deceased or symbols of their hobbies — guitars or classic cars. We loved Philadelphia’s Mutter Museum for its ghoulish exhibits and Pere LaChaise cemetery in Paris where we paid our lack of respect to Oscar Wilde and Edith Piaf.
Patti gave me a lovely watercolor of a cemetery to hang in my office. We collected books of death photos, horrendous images of bloated corpses in kitchen chairs and skeletal remains in the bathtub.
When Patti was a few months pregnant, we stumbled on a section of a graveyard in upstate New York fdedicated to still borns and infant deaths. She insisted on having her picture taken with wee Jack yet in utyero,
Disturbing, right? It all seems like foreshadowing, which of course it was. We always knew we’d die, but somehow micking and delighting in death seemd like a harmless prank. The closer one gets to death and contemplates one’s mortality, the Buddhists say, the less one will fear it.
It didn’t really work, at least not for me. I was always fairly anxious about my own death, even more so about Patti’s. When we had to put our dog Frank to sleep, we were both hit hard; we couldn’t even bring ourselves to claim his body, despite years of joking that when he’d die, we’d add him to our taxidermy collection.
When Ninny, my mother’s mother died, I took it okay initially; she’d left us long before in haze of Alzheimer’s. But I was one of her pall bearers, carrying her shrouded body on a stretcher to a hole in Jerusalem’s Mount of Olives, her bony foot thumping against my hand with each step. We slid her into the hole, in what I thought would be a gesture akin to planting one of her beloved rose bushes, but it was hollow and scary and reeked of eternal void.
When my sister lost her husband, after just a year of marriage, I tried to be the strong one. We sat with Brian’s body face down on the couch for much of the day, then through yet another Irish wake, then an unrecognizable funeral. It was unimaginable that he was gone, but my sister somehow persevered, and even blossomed in the years that followed.
When my beloved mother-in-law, Phyllis, died in her living room after an endless death match with lung cancer, Patti was in attendance, holding her hand through the last agonizing days. That memory scarred her, Death shoving its loathsome face in hers, and steeling her somehow for the inevitable. Patti knew she would die one day and never wanted to go through such hell, she told me, but now she wasn’t scared of anything. Anything.
We stopped mocking Death as we grew older. It was no longer a country on the other side of the world but slowly crept over the horizon. We could see it now, the new home of twenty or more of the people who’d attended our wedding, some old, some gay, some just unlucky. It was getting familiar, inevitable, and much less of a joke.
Today, at least, I don’t fear it, not nearly as I did just a season ago. I have less to lose here in the land of the living. I still love life, don’t get me wrong, but for today, it has less to offer.
Shining light
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A few weeks ago d.price sent me this letter , written on part of an old Crocs box. I think it speaks for itself.
Pennies from heaven
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We had so many traditions, some stemming back to when we first met, 24 years ago, on 6.16.1986.
616 was always an important number to us. It was also the date of our wedding on 6.16.1991, in the place we’d met five years before to the day. We usually called each other every day at 6:16 PM. We marked all the times that our restaurant bill would add up to some variation of the number. It still comes up; I ordered something from Amazon last weekend. Shipping & Handling: $6.16. It was a funny thing to look for but we knew it was just a long chain of coincidences. Superstition was just a fun pattern, a way to connect, like playing I Spy.
Wednesday was 6.16 again. As I have every year, I went to 18 W. 18 Street where we met and wed. This year I went with my sister, Miranda, Patti’s maid of honor. Over the years, what was once a restaurant, then another, and another, is now a children’s books shop. Where we stood to be joined till death did us part, there’s now a cupcake counter. The cupcakes are made by the Cupcake Café. When Patti had her subway accident, she was on her way to pick up a cake from the Cupcake Café. She never made it, ending up instead in St Vincent’s Hospital (where she was declared death 14 years later, a week before the hospital was closed down forever). Two weeks later she missed going to 18 W.18 St on 6.16 for the very first time. This year she missed it again. Coincidence upon coincidence, but sadly proof of nothing.
I am reading The Lovely Bones. It makes me sad and I don’t know why I keep turning the pages. Susie Salmon watches her family (and the man who murdered her) from the after life. She follows their actions and their thoughts, hovering over and around them. She feels their pain, wishes she could contact them, but she is just a little girl forever more, beyond their reach. She believes that she’s in Heaven but to me it often seems like Hell.
I wish I could believe in ghosts or angels or spirits. People write to me to tell me that Patti is in Heaven, or watching over us, or waiting for us, or sitting with God, or one with the Universe, or waiting to be resurrected …. It would be so nice to think that she is hanging out with her mother and my grandmother in some wonderful place, and that we will join her soon and be with her forever.
I know you may be able to believe that and, believe me, I have tried to believe it too. Tried and failed. I can’t believe it, I can’t feel it, I can’t even imagine it. There is not even a flicker of doubt in my mind that Patti is no more and exists only in our memories and thoughts and in the cookie jar in my study.
Despite that, Patti does live on.
Just like my grandmother will always exist in the way I make beds, or can’t stand seeing dirty laundry on the floor, or the way I spread cream cheese on toast, or tend my garden. So I don’t need Patti to hover around my head or wear wings and play a harp or leave me five dollar bills neatly folded in fours. I don’t need to light candles for her or say Kaddish. I just need to hold her in my mind. if not my arms, and try to enjoy each day like she did. It’s a simple goal, a little trite, but easy to believe in. Even for an old skeptic like me.
What’s past is prologue
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It’s funny how decisions Patti made, sometimes long ago, impact my daily life. Like the back-ordered blouse that was just delivered by UPS and sits on her desk unopened. Or the brand-new wheelchair she ordered to replace her 12 year-old clunker — a beautiful titanium work of art with flowers laser-etched on the tubing. It was on the truck to be sent to her on the day she died and, amidst the funeral arrangements, I remembered it and we managed to cancel the shipment.
I like the interruption of these messages from her, her mind working in the past and appearing in the present, like the bulbs she planted last Fall that popped up in late March after she was gone, and announced the first days of Spring, her favorite season.
There remains other unfinished business to attend to. Last week, I managed to throw out ten years of old Martha Stewart magazines but I can’t yet bring myself to go through her closets and share her clothes with strangers. One day I shall, maybe soon. I know I can part with old t-shirts and stockings, tubes of moisturizer and bottles of pills, but I must hold on to the most Patti of her posessions – I imagine giving Patti’s Chanel necklace to Jack’s wife one day or bequeathing his daughters my grandmother’s hand-painted powder box, the one that Patti kept by her sink. Things don’t really matter but the memories they contain always will.
The crying game
I made this Hokusai-influenced journal entry a couple of weeks ago, but the same sort of wave has hit me a couple of time since. Its clout is overwhelming and the emotion it dredges up is so non-specific, a crippling blow to the solar plexus, a kick to the scrotum. It’s not like the sort of grief that has a word or a thought or an image at its core; it’s just total and blanketing. It hits and suffocates, then recedes, then hits a second time, then mercifully passes all together.
I am so not used to crying. It’s something I was good at when I was little, like running or cartwheels or jumping off the top bunk. Now, as a grown-ass man, I am horribly out of shape as a cryer. It’s as bad as vomiting or marathon sneezing in the way it grips me and fills my head with uninvited fluids, bulging my eyes and forcing ridiculous noises out of my mouth. What a mess.
In some ways, it’s very welcome. Because I worry about how resilient I am, how able I am to function, there is something welcoming about collapsing, knowing that I am not utterly compartmentalized and blinded by denial. These thundering paroxysms of emotion provide perspective, reminding me that I can travel forward but may have occasionally to stop and pay the piper. I can handle it.
It can be a bit scary for Jack, I think, and I try to shield it from him when I can. But he seeks me out, puts a consoling arm around my shoulder, bringes me a glass of water. Then I pull myself back together and we go out for pancakes.
Staying in touch
Sometimes when I’d wake up in the middle of the night, Patti beside me, I’d wonder if she was breathing. I’d put my ear close, hear nothing, then nudge her to see if she was still alive. She’d stir and I’d exhale. Sometimes she’d wake all the way up and we’d talk. I never felt that bad about rousing her; she had the gift of falling right back to sleep. Sometimes I’d put my arm around her, feel her by me, and wonder what it would have been like if she hadn’t stirred, if she’d gone in her sleep. I’d try on that hollow feeling. But I really had no idea.
A lot of people miss Patti. They send me emails to tell me. They send her emails too. I miss her, of course I do. But I also miss my life, the way it was, so steady — built layer upon layer like a giant oak, habit wrapped around habit, assumption encircling assumption. For nearly a quarter of a century, we built this life and, when Patti’s ended, so did mine. My life was like the second twin tower. It collapsed right after the first one fell.
Now I have a different life. It’s a pretty good one, despite what I would have thought as I lay with my arm around my sleeping love. It has moments of sadness, deep holes in the road, but it has a lot of beauty too. I love my son, my mum, my sister, my hounds. I have so many good friends and the generous support of people I’ve never met. To a large extent, they help me fill in those moments of darkness, help me decide what garbage bags to buy or what to have for dinner. They will talk to me on the phone for hours when I need them, will indulge my nonsense, will cook me rice and beans. But they can’t fill in all the gaps.
Jack and I are resilient. We get on with it. But no one else puts notes in our pockets or brings us ice cream or keeps our every doodle in a file like PL did.
I’d love to chat on the phone with you as I walk to work, Pat, just once. I’d like you to reach out in the dark and stroke what’s left of my hair. I’d even like you to just tell me it’s okay to cry. But failing that, I will remember as well as I can what it was like to put my arm around you, even as I walk down the road alone, and I will treasure every day I have, rather than lying worried in the night.
My new life will be bright. Because you light it.
Old spuds and new duds.
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This is really devolving. God only knows why I am being so revealing these days, airing my ill-fitting laundry to the world on this blog. I should really just tell you about my dip pens and the quality of the binding on this book. Instead I’m writing about my new fantasies of myself as suave and debonair on the one hand and hoarding old potatoes on the other. Sad, really.
Alright, I will reveal that I am inappropriately proud of those paintings of taters. And of how many shades of purple I was able to mix with just two bottles of watercolor.
Now if I can only find a sharp tuxedo. Or a leather jumpsuit. Something that won’t show ink stains…
Missing Hoofy
I was blessed with an enormous outpouring of sympathy and support in the first few weeks after Patti’s death. Equally mercifully, that tide pulled back in the ensuing months and now most people have receded from my sphere. It was all too heavy, seeing a look of deep concern on the faces of every person who I ran into on the street, and I felt like a sponge absorbing everyone’s grief over and again. That sounds sort of shitty and selfish but it’s been tough enough sorting out my own feelings.
The grieving process is a hard one to unravel or predict. Kubler-Ross’s stages of grief aren’t terribly helpful, too orderly and well-defined; there’s just no rhyme or reason to how I feel most of the time. Denial is an easy refuge, just getting on with life until the dam breaks and I am forced to deal with my emotions. I also worry at times that I am too okay, that I am too level-headed, but then my deeper feelings find a way to worm to the surface and reassert the enormity of what’s happened.Yuk.
An aside: One of Patti’s many nicknames was ‘Hoofy’ for her occasionally clumsy ways. This is a drawing of a necklace I gave her years ago, a collection of silver feet and hoofs. She loved it and wore it a lot. It makes me wonder: will I ever know anyone else whose tastes, weird and particular, are so in tune with mine? Who else could appreciate and encourage my taxidermy collecting, my medical textbooks, my love of sardines on toast? How do you replace a one-of-a-kind treasure?
Waisting Away
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One of the inevitabilities of being married and middle-aged is the gradual spread of one’s waistband. A souvenir of all those evenings when Patti would bring me a bowl of ice cream on the couch or we’d eat off each others’ plates like Jack and Mrs. Spratt.
Now our pantry is bare-ish. Jack and I shop on Sunday afternoon, buying just enough to provide cold cuts and fruit for his lunches, cereal for my breakfast, a few other meager things. I shop most days on the way home from work, buying whatever I will cook that night, always a salad, maybe a steak or chicken breast for him, some veggie or fish thing for me. My favorite word these days, Jack complains, is ‘Spartan‘.
Despite these complaints of deprivation, we are both healthy and rarely hungry. I am amazed at how much less I want to eat. It began in those first horrible weeks in late March, when I simply lost my appetite altogether. But once that passed, I found food wasn’t especially comforting, and instead I preferred the gym I had just joined. For the first time in ages, I love pedaling madly on a bike or throwing barbells around. I also find I have the time. When Patti was alive, I so often felt that time spent on myself was time taken away from her (a perspective she vigorously opposed, but to no avail). Now I have the time and control of my agenda to indulge myself in new ways. Fortunately, so far, most of them are healthy.
My newly instituted regime is also a reflection of a new assessment of my age, of how many years I have left. I’d always assumed that Patti and I would march into the grave holding hands and I had no especial interest in outliving her. Now, however, because I will continue on this march with no one to lean on, I feel I should be as vigorous as I can be. Both my parents are healthy and robust in their 70s and my grandfather just died at 98. Chances are I will be around to choose apples, tap melons, lift dumbbells and fill sketchbooks for a little bit longer.
In the meantime, I need new trousers and a shorter belt.
The journey of 1,000 miles begins with a single step
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Jack and I have always shared certain things: pens, a love of R. Crumb, a disdain for Dane Cook. Now we have a new and more complex relationship, one that can be annoying and claustrophobic some times, rich and vital at others. We are roommates, creative collaborators, dinner companions, advisors, and dad and son. And there’s no Mom to act as a buffer, filter, and cooler head.
It can be tough living with a teenager who doesn’t realize he is shedding clothes all over the house or drinking the last of the juice. I’m sure it’s just as tough for Jack living with a cantankerous, soppy weirdo. Despite our differences, we are managing okay, crafting a new sort of life in our man cave, surrounded by chip packages and dachshunds.
Most recently, we’ve taken to sharing a pair of blue shoes that we both coveted. It’s been a true compromise as the shoes are a little small for Jack, a little large for me. The experience has proven useful, teaching us what it’s like to walk in each others’ shoes.
Cleaning up our act
My relationship with my journal is like that with a family member or a friend I’ve known since childhood. Sometimes we are distant, formal, perfunctory, obliged. But when I really need my journal, it is there with open pages, ready to hold me as tightly as I hold it. These days, I need it more than ever, and I am more intense, more candid than usual, as I scrawl across its pages.
I would like to share some of these pages with you but they are heavy going and so I will doll them out a spread or two at a time over a number of days. If you like what you see, come back soon and I’ll have posted more.
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Here’s where I began. By cleaning up my apartment, on my hands — dismissing the cleaning ladies who had scrubbed my toilets ever since I could afford them — reclaiming what is mine, filth and all. It is part of a process I’ve embraced, of forming a new relationship with the everyday, taking full responsibilty for every aspect of my life.
Being married means sharing the good, the bad, the important, the mundane. Patti and I leaned on each other in a thousand ways: she would shop, I would cook. I would bring home checks, she would pay bills. She kept up with our friends, I worked late. It was a deep symbiosis developed over 23 and 7/8 years — which unravelled in a heartbeat.
So now I am forced to reappraise all of the decisions we made as a team. Many of them can wait: is that the right shelf to store the wine glasses on? Do we need all of these dish towels? Should we live in New York? Others assert themselves and demand resolution. One by one, I pick them off; making lists, adding bleach, filling my weekends with chores.
Every choice is made in consultation with Patti’s ghost, with serious consideration of what she intended, what she thought I wanted, of how to stay true to her spirit, yet accomodate our changed reality. Sometimes it’s terribly sad. Often, it’s a form of companionship that keeps her in my heart, in my pantry, in my thoughts as I doze off.
It’s daunting, it’s doable, it’s underway.
Life goes on.
Patti's final resting place. She loved bears and cookies.
Jack’s Audition
Stage parents wait for their auditioning offspring.
Jack is applying to the Summer Arts Institute, a fantastic program which allows him to study drawing and painting for eight or so hours a day through July. It has loads of dedicated teachers and visits with professional artists and, probably most importantly, the company of other teenagers who are committed to art.
He participated in the program two years ago and did some extraordinary work.
Admission is fairly competitive; applicants need to show a portfolio, complete a drawing assignment, and survive an interview and portfolio critique.
Jack’s portfolio is really diverse these days, oil and acrylic paintings, pastel, conté, various types of prints and the medium at which he truly excels: pen and ink drawing.
Early Saturday morning, Jack and I rode out to the Frank Sinatra School of the Arts, a beautiful new public school in Astoria. While he went off for his audition, my pal Tommy Kane drove up and we pulled our pens and drew next to the elevated subway overpass. I think this may be my first drawing in this borough.
An hour later, Jack appeared with a broad grin: “Interview went well. The teacher didn’t like my paintings but loved my drawings and sketchbooks. I think I’m in.” I’m sure his confidence isn’t misplaced, but then I’m his biggest fan. We hope to hear the verdict soon.
Next landmark event: next’s months audition for the Summer Outreach program at the famous Cooper Union School of Art.
Under the subway overpass, Tommy draws the 99c store.
This is Jack’s current portfolio.[click on any thumbnail to see the gallery]. Next time, I’ll share some of the work in his sketchbooks.
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- Under the subway overpass, Tommy draws the 99c store.
Back from Beantown
Jack and I took a brief break from New York with 75 hours or so in Boston. Neither of us had ever spent time there before —though with the torrential Nor’Easter dumping all over New England, I’m not sure we saw it at its best. We trained up there, stayed in Cambridge and managed to see Harvard (infinitely inferior to my alma mater, of course), its art and natural history museums, then visited the Institue of Contemporary Art and the Science Museum. We saw some movies, had some nice meals, played cards,talked, and drew in our journals. I broke out my watercolors for the first time in ages, and Jack bore down on his dip pen.
It was a refreshing break after a very sad week, giving us some distance and perspective, as well as a chance to start our lives as a smaller family. Drawing was a relief to both of us, a feeling that we were making something out of the nothingness, and seeing a new place with fresh eyes. Our journal pages will be a landmark for us, the first fresh pages we are turning over, with many blank ones ahead to fill.
One thing I hadn’t anticipated: Patti was always the first person to read my journal pages after I finished them. Somewhere in Boston, it occurred to me that I write for her to read and that she wouldn’t read them, ever again. But then I realized I will always write for her, she will always be my favorite reader.
Patti’s passion
Dear Friends:
As you have heard, my wife Patti passed away last week.
She was a lovely, creative person who gave me strength, inspiration, ideas and love. She was always extraordinarily positive — despite what the pathetic initial media reports may have told tell you.
A couple of days ago, our friends put together a lovely tribute to her memory. Hundreds of people jammed the place, singing songs, sharing stories, crying, laughing, and celebrating her life and approach to it. There was a huge crowd out on the street waiting their turn to get in to share the festivities. She touched so many, and the spheres of her influences all came together on Wednesday nigh: school friends, librarians, fashionistas, moms, dads, kids, chefs, florists, all celebrating the bright perspectives and willingness to take risk with which she infected them all. There were many people who were professionally creative— artists, musicians, photographers, authors, directors, ad folk — but also lawyers, doctors, accountants and stay-at-home moms whose creative juices were stirred by Patti’s inspiration I was never prouder of her.
Everyday Matters was the fruit of our family’s mission to celebrate our daily gifts in the face of the random crap life throws at us. That mission grew from Patti’s heart. The fact that she has gone does not diminish the importance of this mission to me and to all of us. Life is wonderful. Its riches don’t lie in bank accounts or career success, power or fame. We just need to look around us, at the beauty of a wrinkled orange skin, the ray of sunshine across a wooden table, the curve of a napping pet, an abandoned shoe, a building against the sky. To reap those riches, I use a pen and a small book. I meditate on what I see, and transcribe that reflection in my book. The lines I make , sometimes sure and sharp, sometimes wobbly and vague, are the deposit I make in my account, the way I capture life’s true rewards and value.
In the days following Patti’s death, I lost my appetite, my ability to sleep, my concentration, my will. I hesitated to pick up a pen. Nothing seemed to matter, let alone the everyday. But then, after some time spent staring into space, I began again to draw. And I must and will continue. Drawing brings me meaning. To abandon it would betray Patti’s memory and myself. I hope that if you are hesitating to draw, beating yourself up because you’re not good enough, telling yourself you have no time to spare, feeling distracted and down, remember that, though life can be plucked from us at any moment, it is full of wonder and beauty. Keeping an illustrated journal is the perfect way to capture and treasure the gems that lie all around us. A few minutes a day make it all worth while.
Patti made things all the time, knitting, sewing, singing, making collages, gifts, drawings, paintings, flower arrangements, photos, and more. Creativity was her passion and she loved people who loved to create. I hope you will help to keep her love and spirit alive.
Your pal,
Danny
Old Mad Men
Tom Kane and I started working together in 1984 (!). We were junior ad men at a now-defunct New York agency. Decades later, we are drawing-buddies, not colleagues; when we hang out, we occasionally reminisce about our careers and how things have changed over the years. Last weekend, we set up a couple of cameras while we sat around and recorded our chat about bygone days. If you remember stat machines or sending out for type or hand-drawn layouts anything about design and production before everything went digital, you might enjoy this conversation. We did.
Old Mad Men. Part 1.
Old Mad Men. Part 2.
Old Mad Men. Part 3.