Creative Licence

Write Me

The Old Bamboo

March 2, 2004

 

Guys--Danny.jpg
My passion for my Rotring rapidoliner deepens. Unlike any other technical pen I've used, it is always on the ready, never clogs or sticks or leaks and I've never even had to shake it one time to force ink to the nib. The ink itself is deep black, fairly quickly drying and water proof. The drawings I do with this pen are detailed and full of crosshatching. Occasionally, I catch glimmers of the sort of line that r.crumb coaxes out of his Rapidographs and those are very exciting occasions to me.
Still the pen tends to make me draw and see in a particular way — I find myself looking for immensely detailed things to draw, elaborate building facades, the interiors of overflowing closets, or else to do lots of postage stamp pictures crammed on the same page. To shake things up, I switch hit with the crudest, most blunt drawing instrument of all, a bamboo pen.
bamboo.jpg
This pen is just a stick carved into a point on either end. I dip it in Higgins waterproof ink. The line is surprisingly smooth and responsive to my pressure, delivering lines of different thickness.It makes me draw far more gesturally and to switch my vision to a different focal length, taking off the microscope of the Rapidograph and seeing in sweeping outlines, forsaking the miniscule details I could never render with the bamboo.
I am drawing from one of my favorite sources, the 1955 yearbook of Spalding Institute of Peoria, Illinois, full of hundreds of well groomed Catholic faces. I have a shelf full of yearbooks, picked up a for a dollar or two at flea markets, and they give me a great range of faces to study, all similarly composed, sharp and clear, covering the 1930s through the 1970s.

Comments

This may sound a little strange, but my father, who is in amazing illustrator and painter, is also a long-time police officer. I remember a period of time when he was using something other than yearbooks for inspiration...boxes of old mug shots.

Have you ever tried drawing with a quill? I've seen articles in books about how to cut a pen point on one but I've never tried it. I wonder what it would feel like.

I hear you re: the variations on a similarly composed theme. I've been sketching 2"x2" thumbnails of my dad's old 50's/60's/70's classical music albums, of which I have hundreds in the attic. The historicity (ouch) of the graphic composition fascinates me, as well all the variations on dead guys - amazing how many ways the same bust of Mozart can be interpreted.

I started doing this as a riff off of your meditations on possessions... thinking that if I was going to hold onto such an extensive, bulky collection, it had better pay its own way in my life somehow. Because they were my dad's, and they're these beautiful objects rendered fairly worthless only by overuse and technology... I can't just throw them out. So every so often I retreat to my skylit attic studio and draw record albums.

Synchronicity: My boyfriend said the last batch were very R. Crumb-like.

Last night when I saw the yearbook portraits you were creating, i was wishing we could wallpaper a wall or two with them. You may not agree with that idea but what about a wall of drawings somewhere here?

Think about it. I'll help install it if you like!

PLG

danny, i came across this quote by the poet MARY OLIVER and thought of you.

"I've said before that the angel doesn't sit on your shoulder unless the pencil's in your hand. ... And in truth that [is only] given after years of desiring it, being open to it, and walking toward it....Yet you approach the task with a sense of great responsibility....
Oh, yes. It's my responsibility if I choose to do it, to write as well as I possibly can. I believe art is utterly important. It is one of the things that could save us. We don't have to rely totally on experience if we can do things in our imagination. ... It's the only way in which you can live more lives than your own. You can escape your own time, your own sensibility, your own narrowness of vision." mary oliver

There's nothing quite like writing and drawing with a handmade pen. Be it a quill, bamboo or just a sharpened stick dipped in ink.

I like the idea of drawing faces from old yearbooks. The mug shots too, but I will never find that source! When I am at long and boring meetings I like to stare at the various faces. I find it interesting that though we have the same components, eyes, nose, mouth, we are all put together so differently. Oval heads, round, rectangular. Deep set eyes, heavy lidded. And so on. I am fascinated with why we all look so unalike. When I can, I draw them.
ceevee

Funny! Last week when I organized my studio, I came across many bamboo pens as well as some waterproof higgins ink!
Last night I did figure drawing with sewing machine again! I had a moment where I dropped my idea of how it was supposed to look (as though I were drawing with a pencil) and did two really nice sewings, I mean drawings!

Spalding Institute! I grew up in Peoria and my tiny, Catholic grade school was in the Spalding High School building.

Laura